Conheça algumas Músicas do Frevo
que fazem Sucesso no Carnaval de Olinda,
Pernambuco, Brasil.
Apresentação do Hotel Pousada Peter
- Galeria de Arte,
Olinda, Pernambuco,
Brasil.
Todas as músicas estão no formato MP3 !
Clique na música para ouvi-la:
Três da
Tarde (Frevo)
Onde está dinheiro e Vassourinhas (Frevo)
Elefante de Olinda (Frevo)
Banho de Conde (Frevo)
O Homem da Meia-noite (Frevo)
Bate-bate com Doce (Frevo)
Hino da
Troça (ceroula)
Hino de Pernambuco (Frevo)
Vassourinhas (Frevo)
Passistas
de Frevo
em Olinda, Pernambuco, Brasil.
Foto:
Jormalista e Escritor Robin Daniel Frommer
D - 75177 Pforzheim, Alemanha.
E-mail:
rdfrommer@aol.com
About the Frevo
Accelerated march makes Brazil jump
Frevo is dance-driven march played in a very fast, binary tempo. A
derivation of martial polka, it used to be called "northeastern
martial music" or "martial music from Pernambuco" in
the early days, when capoeira (a type of dance-fight, early
break dance, currently played as a game and accompanied by African
drums and berimabau - a single string attached to a bamboo stick)
dancers led their groups on parades. The bouncing dance steps, which
bore a strong resemblance to Russian folk dances, imprinted the
specific frevo steps. The colorful parasols carried by frevo dancers
represent defense weapons. As lyrics and tune formats were added to
frevo, the style took over the country. O Teu Cabelo Não Nega,
from 1932, is regarded as the song that established the Carnival marchinhas
(literally, "short, quick martial music") made in Rio,
although the song was actually a Lamartine Babo adaptation of the
frevo Mulata, by Irmãos Valença (from Pernambuco).
The first recording to carry the name of the style was Frevo
Pernambucano (Luperce Miranda/Oswaldo Santiago), released by
Francisco Alves by the end of 1930. A year later, Nelson Ferreira’s Vamo
Se Acabá was recorded by the Orquestra Guanabara and labeled as
frevo. Two years before, though, still known as "northeastern
martial music", the pioneering Não Puxa Maroca (Nelson
Ferreira) had been recorded by the Victor Brasileira orchestra,
conducted by Pixinguinha.
On the first half of the decade, numerous radio stars included frevo
in their repertoires. In 1950, inspired by the energy of the frevo
from Pernambuco and playing on a block of wired wood (an extremely
rustic version of the electric guitar), musicians Dodô & Osmar
created the prototype of the trio elétrico (a stage built on
top of a truck) from Bahia. The trio would only become known across
the country in 1979, when Caetano Veloso documented the phenomenon in
the song Atrás do Trio Elétrico.
Carnival invasion
In 1957, the frevo Evocação No.1, by Nelson Ferreira and
recorded by Bloco Batutas de São José, would take over Rio’s
Carnival, knocking down the usual marchinhas and sambas. Local
label Mocambo was responsible for most releases from the two greatest
frevo composers of all times: Nelson (Heráclito Alves) Ferreira
(1902-1976) and Capiba (Lourenço da Fonseca Barbosa, 1904-1997).
The feverish style also made its way into the intimacy of bossa nova:
the accelerated compass seduced Tom Jobim and Vinícius de Moraes
(Frevo), Marcos and Paulo Sérgio Valle (Pelas Ruas do Recife) and Edu
Lobo (No Cordão da Saideira). Frevo also stimulated Gilberto Gil to
include electric guitars in his Frevo Rasgado, in the midst of
the tropicalist eruption.
Gal Costa, the girl from Bahia, inserted frevo and funk shades in one
of her greatest hits, Festa do Interior (Moraes Moreira/Abel
Silva). Carlos Fernando (from Pernambuco) author of the smashing hit Banho
de Cheiro, recorded by Elba Ramalho, organized a series of albums
called Ases da América in the early 80s. His merit was to gather
all-star casts to record frevo tunes: Chico Buarque, Alcione, Lulu
Santos, Gilberto Gil, Jackson do Pandeiro, Elba and Zé Ramalho,
Geraldo Azevedo, Fagner and Alceu Valença and others. Among those,
Alceu, Zé Ramalho and Geraldo Azevedo plus Quinteto Violado, Lenine
and Antônio Nóbrega are some of the artists that keep frevo rolling
to this day.
Para ver as outras fotos, clique aqui por favor !
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:
Hotel Pousada Peter
- Galeria de Arte
Proprietário
e Gerente Peter Bauer
Rua do Amparo 215
Olinda – Pernambuco – Brasil
CEP: 53020 - 170
Fone/ Fax: 0055 - 081 - 3439.2171
Homepage: www.pousadapeter.com.br
E-mail: pousadapeter@uol.com.br